Volume 40 Numbers 1/2- April/August 2017
Special Issue
Tā-Vā(Time-Space) THEORY OF REALITY
Contents
Introduction
Tā-Vā(Time-Space): The Birth of an Indigenous Moana Theory
Tevita O. Ka'ili (Maui-Tava-He-Ako), 'Okusitino Mahina
(Hufanga), and Ping-Ann Addo (Kula He-Fonua)
Geographies of Textile Authenticity: Marking Tongan Temporal
and Social Relationships in Diasporic Cultural Production
Ping-Ann Addo
Circles of Self: Ta-Va Expressed in Traditional Samoan Dance, Culture, and Self
Dianna M. Georgina
Tavani: Intertwining Ta and Va in Tongan Reality and Philology
Tevita O. Ka'ili
Ta-Va Kainga, Time-Space Relationships Theory of Reality and Tongan Students
Journey to Academic Achievement in New Zealand Tertiary Education
Telesia Kalavite
Time, Space, and Culture: A New Ta-Va Theory of Moana Anthropology
'Okusitino Mahina (Hufanga)
Takohi: Drawing in Tongan Thinking and Practice
'Okusitino Mahina (Hufanga)
Tatau: Symmetry as Conflict Mediation of Line-Space Intersection
Semisi F. Potauaine
Reading Realities Through Ta-Va
Nuhisifa Seve-William
Samoan Cultural Perceptions of Ta-Va
Unasa L. F. Va'a
Samoan Ta-Va(Time-Space) Concepts and Practices in Language,
Society, and Architecture
Fepulea'i Micah Van Der Ryn
Tatau: Symmetry, Harmony, and Beauty in the Art of Semisi Fetokai Potauaine
Kolokesa Uafa Mahinaa-Tuai
How the Ta-Va Theory of Reality Constructs a Spatial Exposition of Samoan
Architecture
Albert L. Refiti
Concepts of Ta-Va (Time-Space) in the Art Practice of Samoan-Aotearoa
Artist Shigeyuki Kihara
Pamela Rosi
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